To main text

Handling of Personal Information

Our websites (hereinafter, referred to as “Website”) use cookies and tags to provide you with a better website experience, advertising based on your browsing habits, and to understand what Website is being used for, and for statistics and measurement purposes. By clicking ‘I Accept’, or clicking on Website, you agree to such purposes and the sharing of your data with our trusted partners . Please see Cookie Policy for further information including withdraw of consent at any time.
Please refer to Privacy Policy of the Tokyo Metropolitan Foundation for History and CultureOpen in a different window for the handling of personal information.

I Accept

Explore Events

Tokyo Bunka Kaikan Performing Arts Creation Project/International Co-production Opera "Only the Sound Remains"

Kaija SAARIAHO's opera "Only the Sound Remains" (2016) was written, inspired by Noh dramas: "Tsunemasa" (First Part) and "Hagoromo" (Second Part). This newly directed version makes its Japan debut as an international co-production which includes La Biennale di Venezia.

Upon attending the performance, please visit this link to go through our precautionary measures to help prevent the COVID-19 spread and notice to visitors.
Please note that the performance is subject to change depending on decisions, orders, etc. by the Japanese and Tokyo Metropolitan Government and other governmental authorities.

Date Sun, Jun 6, 2021 15:00 (Open 14:15)
Venue

Tokyo Bunka Kaikan Main Hall

Genre Opera TBK productions


Flyer (PDF)

Notice to our patrons who are attending this performance

Please follow the below measures to help prevent the COVID-19 spread. Your understanding and cooperation are much appreciated.


⁃ We ask you not to come to the venue if you seem to have symptoms such as a fever, cough, sneezing, sore throat, or simply not feeling well.


⁃ Wear a face mask to cover your nose and mouth. Please show consideration for fellow audience members.


⁃ Strictly follow the precautions against infectious diseases such as the cough etiquette and washing and disinfecting your hands frequently.


⁃ Our staff members conduct temperature screening with thermal imaging cameras for all those who are entering the venue. If you have a fever of 37.5°C/99.5°F or higher, you are not allowed to enter the venue.


⁃ No beverage is sold in the Main Hall area.


⁃ Show your ticket to the usher. Then tear off the stub by yourself and put it in the box.


⁃ We do not hand out program leaflets and such printed materials. Please pick them up by yourself from specific areas.


⁃ The cloakroom is not available.


⁃ We do not accept flowers and gifts for the artists. Nor can you give them directly to the artists.


⁃ Allow enough time to get into the venue.


About the Work

Kaija SAARIAHO’s “Only the Sound Remains” is her fourth opera based on Noh dramas. SAARIAHO, one of the leading composers today, made its world premiere in 2016 with great success in many western countries.

This newly directed version is an international co-production which includes La Biennale di Venezia featuring a fantastic cast and crew. The up and coming director Aleksi BARRIÈRE, and the top renowned and talented choreographer MORIYAMA Kaiji. Please join us for its long-awaited premiere in Japan!


 


◇View cast & crew profiles (only in Japanese)


Program

Kaija SAARIAHO: “Only the Sound Remains” (Opera in 2 Parts)


First Part: “Always Strong”


Second Part: “Feather Mantle”


Original Work

Noh dramas: “Tsunemasa” (First Part), “Hagoromo” (Second Part)


Libretto

Ezra POUND, Ernest FENOLLOSA


Language and Surtitles

Sung in English with Japanese surtitles.


Music

Kaija SAARIAHO


Conductor

Clément MAO-TAKACS


Direction/Set, Costume, Video Design

Aleksi BARRIÈRE


Choreography

MORIYAMA Kaiji


Set, Lighting, Costume Design

Étienne EXBRAYAT


Original Sound Design and Max Program

Christophe LEBRETON


Stage Manager

YAMADA Yuka


Cast

First Part: “Always Strong”


Spirit: Michał SŁAWECKI (Countertenor)


Priest: Bryan MURRAY (Bass-baritone)


Dance: MORIYAMA Kaiji


 


Second Part: “Feather Mantle”


Angel: Michał SŁAWECKI (Countertenor)


Fisherman: Bryan MURRAY (Bass-baritone)


Dance: MORIYAMA Kaiji


Orchestra

Tokyo Bunka Kaikan Chamber Orchestra


Violin: NARITA Tatsuki *1st prize and Audience Award of String section at the 5th Tokyo Music Competition


Violin: TAKIMURA Eri *1st prize of String section at the 3rd Tokyo Music Competition


Viola: HARA Yuko *2nd prize of String section at the 5th Tokyo Music Competition


Cello: SASANUMA Tatsuki *2nd prize of String section at the 12th Tokyo Music Competition


Kantele: Eija KANKAANRANTA


Flute: Camilla HOITENGA


Percussion: KAMBE Mitsunori


Chorus

New National Theatre Chorus


Soprano: WATANABE Hitomi


Alto: KITAMURA Noriko


Tenor: HASEGAWA Tadashi


Bass: YAMAMOTO Ryusuke


PhotoKaija SAARIAHO, Music
PhotoClément MAO-TAKACS, Conductor
PhotoAleksi BARRIÈRE, Direction/Set, Costume, Video Design
PhotoMORIYAMA Kaiji, Choreography and Dance
PhotoMichał SŁAWECKI, Countertenor
PhotoBryan MURRAY, Bass-baritone
PhotoNARITA Tatsuki, Violin
PhotoTAKIMURA Eri, Violin
PhotoHARA Yuko, Viola
PhotoSASANUMA Tatsuki, Cello
PhotoEija KANKAANRANTA, Kantele
PhotoCamilla HOITENGA, Flute
PhotoKAMBE Mitsunori, Percussion

Tickets

Prices (tax included)

[Day tickets]


Tickets for S and A-seat go on sale at 14:00.


 


S13,200yen A11,000yen B8,800yen C6,600yen D4,400yen E2,200yen *B, C, D, E Sold Out


 


Tokyo Bunka Kaikan Subscribers: S11,550yen A9,350yen B7,700yen C5,500yen


Seniors aged 65 and above: S12,100yen


Persons with disabilities (The same price applies to one companion.): S11,550yen


Under-26s: A3,300yen


* The discount tickets are only available at the Tokyo Bunka Kaikan Box Office. Valid ID required.


* Group Sales (Seat S-C/Groups of 10 or more): Please contact the Tokyo Bunka Kaikan Box Office for further details.


* This performance will have speakers installed in the auditorium.


 


* Please read before purchasing the tickets:


Regarding this performance, the tickets will be on sale by holding seats at about half-capacity based on “Roadmap to Overcoming COVID-19” set by the Tokyo Metropolitan Government. Please note that we may ask you to move from your reserved seat to another upon entering the venue depending on other governmental policies.


If the capacity limit is eased, we will sell additional tickets. In case the capacity restriction is tightened again considering the situation of the COVID-19 spread, the tickets additionally sold have to be refunded, and additional ticket holders will not be able to attend the performance.


* The ticket prices have been changed as above from the initial announcement.


Seating Chart

Seating Chart (PDF)


On Sale Date

Sat, Feb 13, 2021


Advance sale for Tokyo Bunka Kaikan Subscribers: Sat, Feb 6, 2021


* Advance sale for Tokyo Bunka Kaikan Membership Subscribers is only available by telephone and online, not available in person. (There is a limit to the number of tickets on purchase.)


BOX Office

Tokyo Bunka Kaikan Box Office


Other Information

* The program is subject to change under certain circumstances.
* Pre-school children are not allowed to attend this performance.
* Child care service is available. (Reservation and fee required. A limited number of children is accepted.)
Event Child Care Service: Mother's 0120-788-222
Reservation must be made by Fri, May 28, 17:00.
* There is no elevator or escalator in the Main Hall of the Tokyo Bunka Kaikan.