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Music Program TOKYO Workshop Workshop! 2020 on stage & legacy Professional Training for Musicians with the Bournemouth Symphony Orchestra Lectures and training for the art activities leading to social inclusion

There are a growing need and increasing attention for activities which spotlight the inclusivity of arts in recent years. Such movement introduced legislation for promoting artistic activities for people with disabilities. On the other hand, we, as practitioners of "arts activities leading to social inclusion," are still trying to figure out how to handle those activities and how to deliver them with higher quality.
The Tokyo Bunka Kaikan, therefore, launched lectures and skill-up training to sort out the points we need to understand on practicing "arts activities leading to social inclusion." The focus will be on performing arts such as music and dance.

This training welcomes the musicians as trainers from the Bournemouth Symphony Orchestra, an English orchestra that has been delivering unique and cutting-edge activities.
Their work has been highly praised, deeply committed to the local communities including multigenerational communities and other various socially challenging communities.
Notably, "BSO Resound," the world's first professional disabled-led ensemble has been drawing attention around the globe. Their performances include one at the BBC Proms.
At the training, the members of the BSO are going to share their secrets to develop socially inclusive arts activities with higher quality through their case studies (hardships), experiences, and know-how.

Date Sun, Nov 24, 2019 11:00-16:30
Mon, Nov 25, 2019 13:00-17:00
Tue, Nov 26, 2019 10:30-16:00
Tue, Nov 26, 2019 18:00-20:00

Tokyo Bunka Kaikan: Rehearsal Room, Large Meeting Room

Route Books (Access)

Care houses within Taito City for socially challenged people

Genre TBK productions

Flyer (PDF)


Program A

Sun, Nov 24 11:00-16:30

An orchestra conducting experience is not the only way to become a protagonist. This training is to develop activities in which every participant plays a key role. Let’s try a 10-15 minute interactive activity you can bring in to your outreach concerts, learning the practical methods and skills.


Hugh Nankivell (Composer, pianist / BSO Associate Musician)

Edward Hackett (BSO Percussionist)

Emma Welton (BSO Violinist)

Venue: Tokyo Bunka Kaikan, Large Rehearsal Room


Program B

Mon, Nov 25 13:00-17:00, Tue, Nov 26 10:30-16:00

This program provides training to conduct music activities building with diverse people. The onsite training teaches us how to create improvisational music with each diverse participant playing the leading role and how to set up the best locale for the activity. Let’s say you want to create a song or a melody from a musical fragment picked up from a participant. What kind of methods can be used? On day 2, we will join the workshop with the diverse participants including the elderly or people with disabilities to accumulate experiences. The workshop is followed by the participants’ reviewing, and their experiences and perceptions will be shared with the trainers.


Hugh Nankivell (Composer, pianist / BSO Associate Musician)

Edward Hackett (BSO Percussionist)

Emma Welton (BSO Violinist)


Nov 25, Route Books  (4 Chome Higashiueno, Taito City)

Nov 26, Tokyo Bunka Kaikan Rehearsal Room, care houses within Tokyo for socially challenged people (TBD)


Special Forum

Tue, Nov 26 18:00-20:00

Diversity, Equality, and Accessibility: from case studies of the Bournemouth Symphony Orchestra

This forum gives us an insight into the diversity, equality, and accessibility in classical music activities along with case studies of the Bournemouth Symphony Orchestra.

Panelists: Ben Jennings (BSO Participate Programme Manager) and more

Listener: Mia Nakamura (Sociology of Music and Arts / Associate Professor, Graduate School of Design, Kyushu University)

Venue: Tokyo Bunka Kaikan, Large Meeting Room (4th floor)


Prices (tax included)

Free Admission for both trainees and observers

On Sale Date

Mon, Oct 21, 2019, 10:00

BOX Office

Peatix Application Form (only in Japanese)



The training programs are planned for participants such as professional musicians or music workshop facilitators. Please note that the programs focus on the expert field of classical music.

⁃ The applications will be accepted on a first-come-first-served basis and will be closed when the application number reaches the limit.

The seats, however, will again become available in case of cancellations, and so on. Please note that reservation for the cancellation waiting line is not available.

⁃ If an applicant submits multiple times, only the first application will be valid.

⁃ To ensure that you receive emails from Peatix, please add the domain “” to the whitelist such as approved sender list you have enabled them on your email setting. If you have set up those sender filterings on your email, you may not receive the application confirmation email from Peatix.

⁃ You may only submit one application per person (yourself), and one ticket will be provided per individual.

⁃ In case you need to cancel the attendance, please contact the event organizer through Peatix for keeping the seat arrangement updated.

Other Information

*All programs are conducted in English with Japanese interpretation provided.
*Participating only on Nov 26 is not permitted due to the program arrangement.
*Photography and video recording will occur during the workshop for our publicity materials, SNS, and such.
*The program is subject to change under certain circumstances.


Tokyo Bunka Kaikan, Production Section +81-3-3828-2111

Organizers & Supporters

Organizers: Tokyo Metropolitan Government, the Tokyo Metropolitan Foundation for History and Culture; the Tokyo Bunka Kaikan, the Arts Council Tokyo

Cooperation: Japan Century Symphony Orchestra

Supported by: The Japan Foundation for Regional Art-Activities, Agency for Cultural Affairs, Government of Japan